Wellington Live Music

Words by Rebecca Robinson
Photos by Nick Salmon


There was a feeling of being within a production, with scattered lights and photographers all around. The scene had been set at The Mighty Mighty for Stevie Starr’s debut album release – ‘We Hope In All Things New’ – as a few monitors on stage screened security footage; humming noise from real world crime.

”Hello everyone!’. A warm welcome from Starr himself opened the show. And, as the avalanching introduction into black and white film shots on screen opened onto the cultural view of Starr’s video Budapest TV, the composer and musician led his orchestral assemble into gear with elements reminiscent of Sigur Ros. The band played on and until Starr’s vocals were finally let loose during ‘We shall get in’.

Living life as true as one can, Starr delivers a sense of passion and drive that brings dedication and feeling into the art. A presence with a voice on stage, strong and together. Starr’s inspiring songwriting is indescribable. You could be powerful, sung openly for the audience, really said it all, as intelligent music should, and the altered positioning on stage beckoned us closer as footage of the fine five – Mike White, Mark and Evan Williams and Janina Nicoll – took over from inviting galaxy shots; a movement begun with the help of drummer Evan Williams. Seeing the band members together was an engaging sight.

Later on, the bubbling crowd enjoyed the first single from the album: ‘The Rising Tide of Conformity’, with visual links on screen of Taebo, protein slogans, and a convincing family stepping out into the world; showing exceptional views into life and what has become of it.

Armies of kings, kingdoms of poor… His strength on stage needs to be seen, as almost a touch of country was mixed in by the band and swallowed by the crowd. Consciously serving us something more than a miracle, a position of faith, that seemed to be liked by all. ”It’s like Bob Dylan”, I even heard one person say as Starr’s tangible voice, harmonica and guitar described his vision of reality, lifting the music to full force.

After a night of such convincing sounds, created from thoughtful reflections, the band led themselves into ‘Virgin’; the first track on Stevie Starr’s debut album. Flashing, moving imagery was shown all the way to the end when Starr jumped off stage and asked everyone to gather in, band included, for a peaceful huddle of friends and fans; a closing move not often seen.

Whatever choices you can make, make a choice to listen to Stevie Starr’s music.